Concepts of Music and Copyright
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Concepts of Music and Copyright
How Music Perceives Itself and How Copyright Perceives Music
Edward Elgar Publishing Ltd
10/2015
256
Dura
Inglês
9781783478187
15 a 20 dias
Descrição não disponível.
Contents: Introduction 1. What is a 'Musical work'? Reflections on the Origins of the 'Work Concept' in Western Art Music John Butt 2. Music Performed: What is Beyond the Score? Charlotte Waelde 3. Creativity and Possessive Interests Martin Parker Dixon 4. The Elements of Music Relevant for Copyright Protection Andreas Rahmatian 5. Who wrote Duke Ellington's Music? Authorship and Collective Creativity in 'Mood Indigo' Bjoern Heile 6. Music and Co-authorship/Co-ownership Alison Firth 7. For the Benefit of All Musicians? The Musicians' Union and Performers' Rights in the UK John Williamson 8. How Notice-and-Takedown Regimes Create Markets for Music on Youtube: An Empirical Study Paul J. Heald Index
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Contents: Introduction 1. What is a 'Musical work'? Reflections on the Origins of the 'Work Concept' in Western Art Music John Butt 2. Music Performed: What is Beyond the Score? Charlotte Waelde 3. Creativity and Possessive Interests Martin Parker Dixon 4. The Elements of Music Relevant for Copyright Protection Andreas Rahmatian 5. Who wrote Duke Ellington's Music? Authorship and Collective Creativity in 'Mood Indigo' Bjoern Heile 6. Music and Co-authorship/Co-ownership Alison Firth 7. For the Benefit of All Musicians? The Musicians' Union and Performers' Rights in the UK John Williamson 8. How Notice-and-Takedown Regimes Create Markets for Music on Youtube: An Empirical Study Paul J. Heald Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
